'Swell the thickening surface of' by Florence Peake at DRAF (2013)
Image : Florence Peake, Swell the thickening surface of, 2013. (Dancer Nikki Tomlinson). Photo Josh Redman
'Swell the thickening surface of', a new movement work by Florence Peake comprising of two duets and a solo.
"First you were my mother or a landscape, soon a votive figure dissolved into a humping dog, maybe something more explicit; this quake is liquid and transitory, unfixed, ready for distillation."
Swell the thickening surface of is performed in collaboration with dance artists Gaby Agis, Amaara Raheem, Nikki Tomlinson and Rosalie Walfrid. Costumes designed by Corinne Felgate.
http://davidrobertsartfoundation.com/projects/evening-of-performances-with-florence-peake-michael-dean-juliette-blightman-and-rodney-graham/
Florence Peake's MAKE at BALTIC (2013)
6 - 7 July 2013
Performed by Iris Chan, Katye Coe, Rachel Gildea, Amaara Raheem, Susanna Recchia, Laurel Tentindo, Nikki Tomlinson, Rosalie Wahlfrid.
Next performances :
MAKE : V22 Young London : 27 October 2013, 3pm - 4pm. Free.
MAKE : Axis Arts Manchester : 7 November 2013, 7.30pm - 8.30pm. Ticketed.
MAKE by Florence Peake is produced by Dance Art Foundation and funded by the National Lottery through Arts Council England. Florence Peake is an Artsadmin Associate Artist 2012-14.
REMAKE, an extract from MAKE, performed over a number of hours : BOHUNK Nottingham : 12 October 2013, 1pm - 4pm. Free
REMAKE : Moving Museum, London : 12 October 2013 7pm - 10.30pm. Free
May - August 2013
Some news on current work..
Mamoru Iriguchi is following up his residency at the National Theatre Studio with a further fortnight of R & D on two projects; one looking at making a live work in a cinema and the other at ideas revolving around body image, pain and mortality. I'm working with him as dramaturg together with Frankfurt-based dramaturgs Susanne Zaun and Philipp Schulte.
I'm also very happy to be working with Florence Peake as performer and advisor in the run-up to her presenting MAKE, a piece with a cast of ten which unveils the hidden labour of making and maintaining sculpture through a choreographed performance. Developed and first shown at Yorkshire Sculpture Park in 2012, MAKE goes to the BALTIC in Newcastle this July, to V22 in London in October and to MMU Manchester in November.
I've begun work on a new project influenced by Chardin's still lifes, figurative paintings by William Scott and classical sculpture. This together with some other ideas forms the basis for some early-days research with Florence at PAF (Performing Arts Forum) in France this August.
Mamoru Iriguchi is following up his residency at the National Theatre Studio with a further fortnight of R & D on two projects; one looking at making a live work in a cinema and the other at ideas revolving around body image, pain and mortality. I'm working with him as dramaturg together with Frankfurt-based dramaturgs Susanne Zaun and Philipp Schulte.
I'm also very happy to be working with Florence Peake as performer and advisor in the run-up to her presenting MAKE, a piece with a cast of ten which unveils the hidden labour of making and maintaining sculpture through a choreographed performance. Developed and first shown at Yorkshire Sculpture Park in 2012, MAKE goes to the BALTIC in Newcastle this July, to V22 in London in October and to MMU Manchester in November.
I've begun work on a new project influenced by Chardin's still lifes, figurative paintings by William Scott and classical sculpture. This together with some other ideas forms the basis for some early-days research with Florence at PAF (Performing Arts Forum) in France this August.
Plainsong (2010, 30min)
Plainsong by Nikki Tomlinson and cellist Hannah Marshall is based on a shared score and composed in real time, with each performance building on the memory of the last while responding to its new site.
Plainsong references the simple lines of plainchant and two paintings; a grid-like abstract work by Juan Uslé, 'Soñé que revelabas (Inquieto)', meaning 'I dreamed you were revealed' and The Water Carrier by Goya.
The movement in Plainsong is almost entirely in profile to the audience, shunting backwards and forwards as though the body is scanning the space, never quite stopping, but looping like a swimmer from wall to wall. The sound is also composed in real time, within a structure that allows us to be more or less influenced by each other, or deliberately counter each other.
For From Morning, curated by Florence Peake at Christ Church Spitalfields, three versions of Plainsong were performed; at 9am, midday and dusk.
Images from Plainsong at Clarence Mews Space, London 2009. Colour stills from video documentation by Carrie Mueller, black and white photographs © Joe Green
"a beautiful performance... time disappeared" Mildred Rambaud
"such mesmerising time and attention, the resonance between the strings and your body, resonance through the space and light but also across time and memory. I was absorbed and moved" Theron Schmidt
Plainsong was made during a residency at La Caldera (Barcelona) and through mentoring with Rosemary Butcher on Independent Dance's Critical Pathways project.
Versions of Plainsong have been shown at :
Christ Church Spitalfields, London (May 2010) and at Clarence Mews' Moving Architecture weekend, London (July 2009); Arcola Theatre, London (June 2009); Siobhan Davies Studios, London (June 2009)
Plainsong references the simple lines of plainchant and two paintings; a grid-like abstract work by Juan Uslé, 'Soñé que revelabas (Inquieto)', meaning 'I dreamed you were revealed' and The Water Carrier by Goya.
The movement in Plainsong is almost entirely in profile to the audience, shunting backwards and forwards as though the body is scanning the space, never quite stopping, but looping like a swimmer from wall to wall. The sound is also composed in real time, within a structure that allows us to be more or less influenced by each other, or deliberately counter each other.
For From Morning, curated by Florence Peake at Christ Church Spitalfields, three versions of Plainsong were performed; at 9am, midday and dusk.
Images from Plainsong at Clarence Mews Space, London 2009. Colour stills from video documentation by Carrie Mueller, black and white photographs © Joe Green
"a beautiful performance... time disappeared" Mildred Rambaud
"such mesmerising time and attention, the resonance between the strings and your body, resonance through the space and light but also across time and memory. I was absorbed and moved" Theron Schmidt
Plainsong was made during a residency at La Caldera (Barcelona) and through mentoring with Rosemary Butcher on Independent Dance's Critical Pathways project.
Versions of Plainsong have been shown at :
Christ Church Spitalfields, London (May 2010) and at Clarence Mews' Moving Architecture weekend, London (July 2009); Arcola Theatre, London (June 2009); Siobhan Davies Studios, London (June 2009)
Plainsong (short edit), created by Nikki Tomlinson with Hannah Marshall from ashley michael briggs on Vimeo.
Plainsong (16min edit), film by Ashley Briggs. from ashley michael briggs on Vimeo.
Staithe (2007, 6mins) showing at The Place : 14 December 2012
Staithe by Nikki Tomlinson and Lucy Cash is being shown at The Place on Friday 14 December 2012 (3pm - 6.30pm) within Dance & The Other, a programme curated by Joe Moran with students at London Contemporary Dance School. The programme features live and installation work by Stina Nyberg, Florence Peake, Stephanie Skura, Joe Moran, Alex Howard, Henry Montes, Marcus Coates, Rahel Vonmoos.
Full info here
Staithe is a video distillation of a 3-year performance project, saw/sore/soar, looking at memory, habits and the nature of change. Filmed on Burnham Overy beach in Norfolk in 2005, here it is re-cut by artist Lucy Cash as a single-screen video. Earlier versions involved a performance operating as a duet between live and pre-recorded material. The original version was a 25min solo performed live with no film, and with sound by The Magnetic Fields and Blondie.
saw/sore/soar was shown in London at: The Place, Hoxton Hall, Hackney Empire, and at Sensitive Skin (Nottingham); Spring Collection at The Point (Eastleigh); San Francisco Fringe Festival; Masdanza (Gran Canaria).
Staithe has previously been shown in London at the Intimacy Across Visceral and Digital Performance symposium at Goldsmiths; Falling Wide's Outsider Dancing programme at Toynbee Studios; the Chisenhale Biennale curated by Richard Layzell and Alana Jelinek at Chisenhale Studios.
Bird (2006-7) by Nikki Tomlinson & Lucy Cash
Bird: Nikki Tomlinson & Lucy Cash, all images by Ole Birkeland.
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