Plainsong (2010, 30min)
Plainsong by Nikki Tomlinson and cellist Hannah Marshall is based on a shared score and composed in real time, with each performance building on the memory of the last while responding to its new site.
Plainsong references the simple lines of plainchant and two paintings; a grid-like abstract work by Juan Uslé, 'Soñé que revelabas (Inquieto)', meaning 'I dreamed you were revealed' and The Water Carrier by Goya.
The movement in Plainsong is almost entirely in profile to the audience, shunting backwards and forwards as though the body is scanning the space, never quite stopping, but looping like a swimmer from wall to wall. The sound is also composed in real time, within a structure that allows us to be more or less influenced by each other, or deliberately counter each other.
For From Morning, curated by Florence Peake at Christ Church Spitalfields, three versions of Plainsong were performed; at 9am, midday and dusk.
Images from Plainsong at Clarence Mews Space, London 2009. Colour stills from video documentation by Carrie Mueller, black and white photographs © Joe Green
"a beautiful performance... time disappeared" Mildred Rambaud
"such mesmerising time and attention, the resonance between the strings and your body, resonance through the space and light but also across time and memory. I was absorbed and moved" Theron Schmidt
Plainsong was made during a residency at La Caldera (Barcelona) and through mentoring with Rosemary Butcher on Independent Dance's Critical Pathways project.
Versions of Plainsong have been shown at :
Christ Church Spitalfields, London (May 2010) and at Clarence Mews' Moving Architecture weekend, London (July 2009); Arcola Theatre, London (June 2009); Siobhan Davies Studios, London (June 2009)
Plainsong references the simple lines of plainchant and two paintings; a grid-like abstract work by Juan Uslé, 'Soñé que revelabas (Inquieto)', meaning 'I dreamed you were revealed' and The Water Carrier by Goya.
The movement in Plainsong is almost entirely in profile to the audience, shunting backwards and forwards as though the body is scanning the space, never quite stopping, but looping like a swimmer from wall to wall. The sound is also composed in real time, within a structure that allows us to be more or less influenced by each other, or deliberately counter each other.
For From Morning, curated by Florence Peake at Christ Church Spitalfields, three versions of Plainsong were performed; at 9am, midday and dusk.
Images from Plainsong at Clarence Mews Space, London 2009. Colour stills from video documentation by Carrie Mueller, black and white photographs © Joe Green
"a beautiful performance... time disappeared" Mildred Rambaud
"such mesmerising time and attention, the resonance between the strings and your body, resonance through the space and light but also across time and memory. I was absorbed and moved" Theron Schmidt
Plainsong was made during a residency at La Caldera (Barcelona) and through mentoring with Rosemary Butcher on Independent Dance's Critical Pathways project.
Versions of Plainsong have been shown at :
Christ Church Spitalfields, London (May 2010) and at Clarence Mews' Moving Architecture weekend, London (July 2009); Arcola Theatre, London (June 2009); Siobhan Davies Studios, London (June 2009)
Plainsong (short edit), created by Nikki Tomlinson with Hannah Marshall from ashley michael briggs on Vimeo.
Plainsong (16min edit), film by Ashley Briggs. from ashley michael briggs on Vimeo.
Staithe (2007, 6mins) showing at The Place : 14 December 2012
Staithe by Nikki Tomlinson and Lucy Cash is being shown at The Place on Friday 14 December 2012 (3pm - 6.30pm) within Dance & The Other, a programme curated by Joe Moran with students at London Contemporary Dance School. The programme features live and installation work by Stina Nyberg, Florence Peake, Stephanie Skura, Joe Moran, Alex Howard, Henry Montes, Marcus Coates, Rahel Vonmoos.
Full info here
Staithe is a video distillation of a 3-year performance project, saw/sore/soar, looking at memory, habits and the nature of change. Filmed on Burnham Overy beach in Norfolk in 2005, here it is re-cut by artist Lucy Cash as a single-screen video. Earlier versions involved a performance operating as a duet between live and pre-recorded material. The original version was a 25min solo performed live with no film, and with sound by The Magnetic Fields and Blondie.
saw/sore/soar was shown in London at: The Place, Hoxton Hall, Hackney Empire, and at Sensitive Skin (Nottingham); Spring Collection at The Point (Eastleigh); San Francisco Fringe Festival; Masdanza (Gran Canaria).
Staithe has previously been shown in London at the Intimacy Across Visceral and Digital Performance symposium at Goldsmiths; Falling Wide's Outsider Dancing programme at Toynbee Studios; the Chisenhale Biennale curated by Richard Layzell and Alana Jelinek at Chisenhale Studios.
Bird (2006-7) by Nikki Tomlinson & Lucy Cash
Bird: Nikki Tomlinson & Lucy Cash, all images by Ole Birkeland.
Bird (2006-7, 25mins)
A site-specific piece choreographed and performed with Lucy Cash, Bird was made in response to the tactile architecture of Clarence Mews studio in London, with its unusual overhead view onto the floorspace. Bird used simple abstract movements drawn from disparate sources including aerial photography, ballet, geometry and Josef Albers' Cables. It was also influenced by some of Rebecca Horn’s work, her notion of futile machines for example, with the performers attracting and repelling each other, drawn like magnets to each other and to the audience looking down on the space from above. For InsideOutside, curated by choregrapher Caroline Salem and architect Ed Frith for Architecture Week 2007, Bird took the form of a moving installation, with each audience experiencing a different version of the piece.
"There was an irrational desire to jump down to you..very powerful on a dreamlike level." (Emily Young, filmmaker)
Photography below by Ole Birkeland.
"There was an irrational desire to jump down to you..very powerful on a dreamlike level." (Emily Young, filmmaker)
Photography below by Ole Birkeland.
Folk Dance (2007-8, 40mins)
Folk Dance is a performance installation for an audience of between two and six, influenced by the circularity, harmony, simplicity and ritual often associated with folk traditions. It is a mix of live and recorded dances, a series of super8 films featuring friends dancing to Lie to Me by Tom Waits, a video projection of sheep on the South Downs and a live performance threading between these images and influences. Much of the movement happens within arms' reach of the audience, who sit within the gallery or studio space.
Developed at La Caldera (Barcelona), Pen Pynfarch (Wales) and Clarence Mews (London) and with the participation of Sebastian Baczkiewicz, Liz Drown and Frances Scott.
Video stills below by Roger Lapuente, super8 stills by Nikki Tomlinson
Developed at La Caldera (Barcelona), Pen Pynfarch (Wales) and Clarence Mews (London) and with the participation of Sebastian Baczkiewicz, Liz Drown and Frances Scott.
Video stills below by Roger Lapuente, super8 stills by Nikki Tomlinson
Florence Peake's Remake at Chisenhale : November 2012
Florence Peake's Remake is part of Dance and the Homemade, with performances in Victoria Park and at Chisenhale Dance Space. Remake features two excerpts from a larger work titled MAKE - first presented at Yorkshire Sculpture Park (April 2012) - and involves continual acts of making sculpture that never quite resolve themselves. Choreographed by Florence Peake in collaboration with performers Katye Coe, Susanna Recchia, Iris Chan, Nikki Tomlinson.
Video of MAKE at Yorkshire Sculpture Park
Chisenhale Dance Space
64-84 Chisenhale Road E3 5QZ
1pm at Victoria Park (Free)
4pm at Chisenhale Dance Space (£3)
Video of MAKE at Yorkshire Sculpture Park
Chisenhale Dance Space
64-84 Chisenhale Road E3 5QZ
1pm at Victoria Park (Free)
4pm at Chisenhale Dance Space (£3)
June - July 2012
Florence Peake's MAKE was performed at Yorkshire Sculpture Park in April, with Choreographic Assistant Katye Coe and performers Iris Chan, Kathy Crick, Rachel Gildea, Margarita Zafrilla Olayo, Amaara Raheem, Susanna Recchia, Nikki Tomlinson, Daliah Toure, Rosalie Wahlfrid. Here's a documentary on MAKE made with Andy Woods at YSP.
A new, durational version of this work - REMAKE - is showing this Saturday as part of Decoda's Performance Series
4pm-8:30pm
The Lanchester Gallery
Jordan Well
Coventry
£8 /£6
This month also sees the opening of Jennet Thomas' SCHOOL OF CHANGE at Matts Gallery
12noon - 6pm Wednesday - Sunday
20 June - 29 July
42–44 Copperfield Road
London
E3 4RR
FREE
And work begins with Mamoru Iriguchi on his One Man Show commissioned by the Place Prize, to be performed at The Place, London on Saturday 8 September.
Nikki Tomlinson and Selina Papoutseli: Dramaturgy
Nao Nagai: Technical Supervision
Maria Garcia: Costume
A new, durational version of this work - REMAKE - is showing this Saturday as part of Decoda's Performance Series
4pm-8:30pm
The Lanchester Gallery
Jordan Well
Coventry
£8 /£6
This month also sees the opening of Jennet Thomas' SCHOOL OF CHANGE at Matts Gallery
12noon - 6pm Wednesday - Sunday
20 June - 29 July
42–44 Copperfield Road
London
E3 4RR
FREE
And work begins with Mamoru Iriguchi on his One Man Show commissioned by the Place Prize, to be performed at The Place, London on Saturday 8 September.
Nikki Tomlinson and Selina Papoutseli: Dramaturgy
Nao Nagai: Technical Supervision
Maria Garcia: Costume
And Again by Rahel Vonmoos : May 2012
Rahel Vonmoos also presents her solo work, Shall I Sit Here, a layered presentation of recorded and live performance integrating film and text, light, reflection and shadow.
Both works have autobiographical elements and deal with the physicality of the body in performance. Both use projection to create texture in space in which ideas about distance, memory, repetition and change are played out.
Rahel Vonmoos is a Swiss/British dance artist who has been making her own work for many years, while performing with Rosemary Butcher, Charles Linehan, Philippe Gehmacher, Iztok Kovac and video artist Ruth Schlaepfer. Her collaborative project with Wally Cardona was shown in Dance Umbrella 2009.
19 May 2012
8pm
The Place
£15/£12
MAKE by Florence Peake : Yorkshire Sculpture Park and APT London
MAKE extends Peake's interests in the performative nature of making object-based artwork, particularly sculpture. It is also informed by a growing interest in Minimalism and Conceptual art movements and in the 'great' masculine heroes of these canons, Richard Serra, Donald Judd, Carl Andre. MAKE will play with the traditional reverence towards and god-like status of the artist/sculptor as author, deconstructing its status while the actions and processes that accumulate and manifest within a sculpture are exposed and highlighted. Conceived and created by Florence Peake, MAKE has been commissioned by Yorkshire Sculpture Park with funding from Arts Council England and is co-produced by Dance Art Foundation. Assistant Choreographer Katye Coe, performers Iris Chan, Kathy Crick, Rachel Gildea, Margarita Zafrilla Olayo, Amaara Raheem, Susanna Recchia, Nikki Tomlinson, Rosalie Wahlfrid will be joined by a wider cast at Yorkshire Sculpture Park on Easter Weekend, Saturday 7 April 2012.
A.P.T residency
7 – 11 February 2012
www.aptstudios.org
Yorkshire Sculpture Park
Longside Gallery
Performance : Saturday 7 April
www.ysp.co.uk
A.P.T residency
7 – 11 February 2012
www.aptstudios.org
Yorkshire Sculpture Park
Longside Gallery
Performance : Saturday 7 April
www.ysp.co.uk
SCHOOL OF CHANGE : The Recruitment : Camden Arts Centre 17 December 2011
Artist Jennet Thomas and composer/performer Simon Bookish present a live show exploring a hybrid, cross-over space between art, film, music, speculative fiction and performance, including a recruitment presentation, songs, film clips, lessons, a quiz and prizes. Performers include Frances Scott, Catherine Thomas and Nikki Tomlinson alongside Jennet Thomas and Simon Bookish.
SCHOOL OF CHANGE is a new franchise of girls' schools, existing in a post-apocalyptic future, so radical it threatens the working of reason itself. SCHOOL OF CHANGE attempts to shore up against this breakdown, to educate a new generation to adapt, building an alternative ‘hive mind’ that has a new, stronger kind of logic.
Each student’s learning is bio-technically monitored and assessed through the Personal Circle lodged inside them. High-scoring pupils perform their learning through a rhythmic song and action practise: ‘the Production’. This trance-like group activity produces small solids - Units of Knowing – the currency through which the new economy tries to function.
The first SCHOOL OF CHANGE open day will take place at Camden Arts Centre on Saturday 17th December 2011. ENROL NOW! Booking here
Jennet Thomas' forthcoming exhibition SCHOOL OF CHANGE will be at Matts Gallery in London in spring 2012.
SCHOOL OF CHANGE is a new franchise of girls' schools, existing in a post-apocalyptic future, so radical it threatens the working of reason itself. SCHOOL OF CHANGE attempts to shore up against this breakdown, to educate a new generation to adapt, building an alternative ‘hive mind’ that has a new, stronger kind of logic.
Each student’s learning is bio-technically monitored and assessed through the Personal Circle lodged inside them. High-scoring pupils perform their learning through a rhythmic song and action practise: ‘the Production’. This trance-like group activity produces small solids - Units of Knowing – the currency through which the new economy tries to function.
The first SCHOOL OF CHANGE open day will take place at Camden Arts Centre on Saturday 17th December 2011. ENROL NOW! Booking here
Jennet Thomas' forthcoming exhibition SCHOOL OF CHANGE will be at Matts Gallery in London in spring 2012.
Rosemary Lee, Square Dances
8-9 October 2011, Dance Umbrella, London WC1
Square Dances is a new work commissioned and presented by Dance Umbrella performed across four squares in central London. Like migrating birds arriving as unexpectedly as they disperse, up to 200 dancers of all ages will fleetingly animate these quiet atmospheric spaces in an epic yet intimate way.
Audiences can choose to journey between the squares to see all four dances or enjoy a single one. Each distinctive event will be accompanied by the resonant sound of live bells ranging from a single toll to a specially commissioned score by Terry Mann.
Rosie Lee's Square Dances will be performed 6 times on Saturday 8 October and again on Sunday 9 October - beautiful squares near London Uni including Gordon, Woburn, Brunswick and Queen. It's free, no tickets, just turn up, but bring a brolly if it looks ominous as we will be dancing come what may.
Timings and locations vary, please follow the link to find out more.
Square Dances is a new work commissioned and presented by Dance Umbrella performed across four squares in central London. Like migrating birds arriving as unexpectedly as they disperse, up to 200 dancers of all ages will fleetingly animate these quiet atmospheric spaces in an epic yet intimate way.
Audiences can choose to journey between the squares to see all four dances or enjoy a single one. Each distinctive event will be accompanied by the resonant sound of live bells ranging from a single toll to a specially commissioned score by Terry Mann.
Rosie Lee's Square Dances will be performed 6 times on Saturday 8 October and again on Sunday 9 October - beautiful squares near London Uni including Gordon, Woburn, Brunswick and Queen. It's free, no tickets, just turn up, but bring a brolly if it looks ominous as we will be dancing come what may.
Timings and locations vary, please follow the link to find out more.
Mamoru Iriguchi at Plateaux, Mousonturm
I am working as outside eye/dramaturg with Mamoru Iriguchi on his new performance Into the Skirt. Into the Skirt has been commissioned by Plateaux Festival at Künstlerhaus Mousonturm, Frankfurt and will be shown there on 1 and 2 May 2010. This work is also supported by BAC and Camden Peoples Theatre, where early stages of the work were developed.
PLATEAUX is an international production festival for young artists in the field of experimental theatre, performance and live-art. Initiated by KÜNSTLERHAUS Mousonturm, the festival aims to promote new experimental forms of performance by providing them with a professional platform. The festival offers beside the production budgets, technical and artistic advice, rehearsal residencies and connections into international networks. PLATEAUX produces once a year up to seven new productions to be premiered in the 10 day festival.
http://www.iriguchi.co.uk/aboutme.html
PLATEAUX is an international production festival for young artists in the field of experimental theatre, performance and live-art. Initiated by KÜNSTLERHAUS Mousonturm, the festival aims to promote new experimental forms of performance by providing them with a professional platform. The festival offers beside the production budgets, technical and artistic advice, rehearsal residencies and connections into international networks. PLATEAUX produces once a year up to seven new productions to be premiered in the 10 day festival.
http://www.iriguchi.co.uk/aboutme.html
From Morning : 27 May
From Morning is curated by Florence Peake and brings the work of six artists to Hawksmoor's Christ Church Spitalfields in London on Thursday 27 May. New and adapted works by Katye Coe, Joe Moran, Florence Peake and Sally Dean, and Nikki Tomlinson and Hannah Marshall, will inhabit distinct spaces in the church and find new resonances with its architecture. From Morning invites audiences to encounter work in the intimate altar and crypt, the vast nave, and aerially, from the heights of the upper gallery. Performances will be presented 3 times in one day; at 9am, 1pm and dusk, reflecting traditional prayer times while addressing questions of body, mind, time and space.
The full programme is available at frommorning.blogspot.com
From Morning is generously supported by Christ Church Spitalfields and its arts & events curator, Lisa Raine-Hunt.
Tickets:
£7, £5 concs : morning/midday performances
£10, £7 concs : evening performance (includes the only performance of Score for 30)
£15, £11 concs : day pass to all performances
Booking :
020 7426 5363 | arts@ccspitalfields.org
Venue :
Christ Church Spitalfields
Commercial Street
London E1 6LY
The full programme is available at frommorning.blogspot.com
From Morning is generously supported by Christ Church Spitalfields and its arts & events curator, Lisa Raine-Hunt.
Tickets:
£7, £5 concs : morning/midday performances
£10, £7 concs : evening performance (includes the only performance of Score for 30)
£15, £11 concs : day pass to all performances
Booking :
020 7426 5363 | arts@ccspitalfields.org
Venue :
Christ Church Spitalfields
Commercial Street
London E1 6LY
All Suffering SOON TO END!
Jennet Thomas' solo show at Matts Gallery in London opens 14 April and runs through to 6 June 2010.
It's a Pick of the Week in the Guardian this week.
"A comicbook hero-cum-evangelist named the Purple Preacher, blessed with the power of persuasion, works some unusual seduction techniques in Jennet Thomas's debut film installation at Matt's Gallery. Rubber Adam and Eve dolls, garage gigs and an outing to a model village are all part of his charm offensive. This blend of dream logic, bizarre shaggy-dog-story repetitions and anarchic fizz is typical territory for the London-based artist who co-founded the pioneering Exploding Cinema Collective in the early 90s. Her interests are grounded in regular human foibles and the everyday pitfalls of belief systems, so as much as a wild plunge into the absurd, Thomas shows just how bizarre ordinary life can be." Skye Sherwin, The Guardian Guide
Performers : John Wagland, Helena Goldwater, Tiago Gambogi, Pat Thomas, Alan Thomas, Nikki Tomlinson
It's a Pick of the Week in the Guardian this week.
"A comicbook hero-cum-evangelist named the Purple Preacher, blessed with the power of persuasion, works some unusual seduction techniques in Jennet Thomas's debut film installation at Matt's Gallery. Rubber Adam and Eve dolls, garage gigs and an outing to a model village are all part of his charm offensive. This blend of dream logic, bizarre shaggy-dog-story repetitions and anarchic fizz is typical territory for the London-based artist who co-founded the pioneering Exploding Cinema Collective in the early 90s. Her interests are grounded in regular human foibles and the everyday pitfalls of belief systems, so as much as a wild plunge into the absurd, Thomas shows just how bizarre ordinary life can be." Skye Sherwin, The Guardian Guide
Performers : John Wagland, Helena Goldwater, Tiago Gambogi, Pat Thomas, Alan Thomas, Nikki Tomlinson
Here nor There by Emma Leach
I will be performing in a new work by Emma Leach at Tate Britain as part of Shards of Utopia. Here Nor There is a flashing human news ticker which will appear, display and disappear back into the crowd throughout the evening. Taking as its source an absurd exchange between the United States and Cuba, Here Nor There pokes fun at diplomatic tit-for-tat and the meaningless words that are used when entrenched in conflict.
Curated by Cecilia Wee, Shards of Utopia explores how cultural remnants of a revolutionary and hopeful past interrupt our present. Utopian ideals are investigated by artists Charlesworth, Lewandowski & Mann, Klub Fiskulturnik, Counterproductions, Tom Badley, Emma Leach, Jon Hawken, They Are Here, Steven Ounanian and Resonance FM.
Friday 9 April
18.00 - 22.00
Free entry
Curated by Cecilia Wee, Shards of Utopia explores how cultural remnants of a revolutionary and hopeful past interrupt our present. Utopian ideals are investigated by artists Charlesworth, Lewandowski & Mann, Klub Fiskulturnik, Counterproductions, Tom Badley, Emma Leach, Jon Hawken, They Are Here, Steven Ounanian and Resonance FM.
Friday 9 April
18.00 - 22.00
Free entry
in 2010 :
I am performing in :
Augusto Corrieri's Dance Company at The Place on 6 January, in a triple bill on Resolution's opening night : http://www.theplace.org.uk/3177/whats-on/resolution-programme-1.html
Jennet Thomas' show All Suffering Soon to End opens at Matts Gallery in April and runs to June 2010.
http://www.mattsgallery.org/artists/thomas/exhibition-1.php
Augusto Corrieri's Dance Company at The Place on 6 January, in a triple bill on Resolution's opening night : http://www.theplace.org.uk/3177/whats-on/resolution-programme-1.html
Jennet Thomas' show All Suffering Soon to End opens at Matts Gallery in April and runs to June 2010.
http://www.mattsgallery.org/artists/thomas/exhibition-1.php
Selected other work
Friday Night is Music Night (2005, 45mins)
A one-to-one performance made for a friend inspired by his love of the long-running radio show Friday Night is Music Night, using songs from his collection - Bond themes by James Barry, Nick Cave's Into My Arms, Grandaddy's Now it's On, The Who's Baba O'Reilly. A roundabout way of giving him a record player.
Cast (2004, 25mins)
Improvisation at Chisenhale around simple score of playing with changes in light and shadow in the space at dusk.
Pictures and Fingerprints (2003, 20mins)
Performer in Josephine Dyer's group work based on the autobiographical story of a Kosovan woman seeking asylum in London, shown at The Place's Resolution season in 2004.
House of Kurtz (2002, durational)
Performed as cellist in a site-specific piece by Athina Vahla, House of Kurtz at the Shipwright's Palace in Deptford, based on Joseph Conrad's Heart of Darkness.
http://onesquareyard.com/localExamples/houseOfKurtz/#
Home (2001, 5mins)
A short solo made under the direction of Claire Whistler for the opening of Mile End Park Pavilion.
Solo 5.1(2001, 15mins)
Performed at the Barn Theatre, Rose Bruford College in an evening of short works curated by Daniel Vais
Solo 4.1 (2000, 5mins)
Performed at street festival Fetes de Lumiére in Paris
Review of Slow Moves Rich Tales, an evening at San Francisco Fringe of four solos made and performed by Florence Peake, Polly Hudson, Sally Dean, Nikki Tomlinson.
http://www.sffringe.org/fringe05/05reviews/sally.html
Review of Still, It Matters, an evening curated by Rajni Shah at Hoxton Hall, of work by Rotozaza, Rajni Shah, Nikki Tomlinson
A one-to-one performance made for a friend inspired by his love of the long-running radio show Friday Night is Music Night, using songs from his collection - Bond themes by James Barry, Nick Cave's Into My Arms, Grandaddy's Now it's On, The Who's Baba O'Reilly. A roundabout way of giving him a record player.
Cast (2004, 25mins)
Improvisation at Chisenhale around simple score of playing with changes in light and shadow in the space at dusk.
Pictures and Fingerprints (2003, 20mins)
Performer in Josephine Dyer's group work based on the autobiographical story of a Kosovan woman seeking asylum in London, shown at The Place's Resolution season in 2004.
House of Kurtz (2002, durational)
Performed as cellist in a site-specific piece by Athina Vahla, House of Kurtz at the Shipwright's Palace in Deptford, based on Joseph Conrad's Heart of Darkness.
http://onesquareyard.com/localExamples/houseOfKurtz/#
Home (2001, 5mins)
A short solo made under the direction of Claire Whistler for the opening of Mile End Park Pavilion.
Solo 5.1(2001, 15mins)
Performed at the Barn Theatre, Rose Bruford College in an evening of short works curated by Daniel Vais
Solo 4.1 (2000, 5mins)
Performed at street festival Fetes de Lumiére in Paris
Review of Slow Moves Rich Tales, an evening at San Francisco Fringe of four solos made and performed by Florence Peake, Polly Hudson, Sally Dean, Nikki Tomlinson.
http://www.sffringe.org/fringe05/05reviews/sally.html
Review of Still, It Matters, an evening curated by Rajni Shah at Hoxton Hall, of work by Rotozaza, Rajni Shah, Nikki Tomlinson
MovingArchitecture weekend 17 - 19 July
Plainsong at MovingArchitecture 3
Images by Joe Green
MovingArchitecture 3 is curated by Caroline Salem and Ed Frith, at their live-work space 40 Clarence Mews in Hackney.
New works created for the architect-designed house, studio and garden by Jo Dyer, Katsura Isobe, Karin Fisher-Potisk, Caroline Salem, Ed Frith, Nikki Tomlinson
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